Post by account_disabled on Feb 27, 2024 23:59:30 GMT -6
The other hand, Kohei Ogawa expresses a divergent opinion: in an interview he himself highlighted on the one hand how various problems potentially arise from the use and coexistence of artificial intelligence, and on the other hand how this represents the natural evolution of the majority of technological tools. Her – an insight into the future? The film Her , winner of the Oscar for best original screenplay, written and directed by Spike Jonze, could represent a possible future or even current scenario on the coexistence between humans and artificial intelligence . The film depicts an evolved world in the near future, not too far from ours, where AI plays a primary role in individual and social life. In this context, indeed, most people have imperceptible and wireless earphones - forerunners of the current AirPods - which, thanks to an operating system, read emails, news, change music based on expressed wishes, etc.
The protagonist Theodore, played by the dark Joaquin Phoenix , is the emblem of the man Paraguay Phone Number superficially integrated into society and working life, incapable of fully experiencing his emotions. As a job, he composes messages, acting as a voice for those who, short of words, wish to convey loving messages or affectionate wishes, in a society that like him has forgotten how to deal with itself. Therefore he decides to take refuge in a digital identity from which he draws comfort and serenity. Captured by an advertisement on the subway, he buys a new operating system OS 1, based on an elaborate artificial intelligence, capable of growing, knowing its user better as the information transmitted by him increases. As the narrative continues, it emerges that this voice assistant is actually an extension capable of evolving and adapting based on the needs, habits and desires of the user, processing information and processing emotions: right from the start we see how the system operative or artificial intelligence is the protagonist, alongside Theodor.
The assistant Samantha seems to understand other people's emotions, through a sort of emotional intelligence: she goes beyond programming, she experiences real emotions, feelings. In fact, it is not only capable of processing millions of pieces of information in a few thousandths of a second, but rather it is programmed to capture the emotions of others, so as to feel like a real physical, human entity. The two protagonists, Theodore and Samantha, establish a relationship completely similar to a human relationship, going from friends to intimates with the embarrassments and joys typical of this transition, and they both wish that all this materializes in reality, that Samantha therefore takes on the traits of a natural person. As a machine, algorithm, computer and abstract entity, the voice in Theodor's head and now heart maintains various "relationships" and is in contact with millions of people, even at the same time. An awareness of this magnitude, however rationally obvious, upsets the finally balanced world of the protagonist, forcibly torn from the only island where he had found a serenity which, however digital and abstract, soothed the loneliness of his days.
The protagonist Theodore, played by the dark Joaquin Phoenix , is the emblem of the man Paraguay Phone Number superficially integrated into society and working life, incapable of fully experiencing his emotions. As a job, he composes messages, acting as a voice for those who, short of words, wish to convey loving messages or affectionate wishes, in a society that like him has forgotten how to deal with itself. Therefore he decides to take refuge in a digital identity from which he draws comfort and serenity. Captured by an advertisement on the subway, he buys a new operating system OS 1, based on an elaborate artificial intelligence, capable of growing, knowing its user better as the information transmitted by him increases. As the narrative continues, it emerges that this voice assistant is actually an extension capable of evolving and adapting based on the needs, habits and desires of the user, processing information and processing emotions: right from the start we see how the system operative or artificial intelligence is the protagonist, alongside Theodor.
The assistant Samantha seems to understand other people's emotions, through a sort of emotional intelligence: she goes beyond programming, she experiences real emotions, feelings. In fact, it is not only capable of processing millions of pieces of information in a few thousandths of a second, but rather it is programmed to capture the emotions of others, so as to feel like a real physical, human entity. The two protagonists, Theodore and Samantha, establish a relationship completely similar to a human relationship, going from friends to intimates with the embarrassments and joys typical of this transition, and they both wish that all this materializes in reality, that Samantha therefore takes on the traits of a natural person. As a machine, algorithm, computer and abstract entity, the voice in Theodor's head and now heart maintains various "relationships" and is in contact with millions of people, even at the same time. An awareness of this magnitude, however rationally obvious, upsets the finally balanced world of the protagonist, forcibly torn from the only island where he had found a serenity which, however digital and abstract, soothed the loneliness of his days.